Listing of Tribal Art magazine's articles listed by author's name:
Identifying a Master Carver? Tribal 24 - Autumn-Winter 2000
The Land of the Spirits in Milan Tribal 76 - Summer 2015
The Chavín de Huántar Temple Revealed Tribal 67 - Spring 2013
Maya Jade Masks Tribal 63 - Spring 2012
The "Discovery" of Machu Picchu Tribal 59 - Spring 2011
Inca: Origins and Mysteries of the Civilization of Gold Tribal 55 - Spring 2010
Treasures of Ancient Peru. Masterpieces from Chavin to the Inca In Florence Tribal 32 - Autumn 2003
Apprenticeship, Continuity and Patronage in Traditional Yoruba Art Tribal 34 - Spring 2004
Massim Sorcery Figures. Figures with Long Ears and long Snouts from the Massim Region of Papua New Guinea Tribal 71 - Spring 2014
An Early Ivory Spoon with Stylistic Connections to Eastern Indonesia Tribal 33 - Winter 2003
The Aztec World Tribal 49 - Summer 2008
Chief White Antelope blanket Tribal 29 - Winter 2002
Photographing Tribal Art Tribal 9 - Spring 1996
Enrico Donati Tribal 45 - Summer 2007
Thomas Morland Hocken: Collector of Maori Artifacts Tribal 48 - Spring 2008
In Search of Adventure: Count Rudolf Festetics and the Tolna’s Journeys in the Pacific Tribal 34 - Spring 2004
World Views of the South Seas. Museum für Völkerkunde, Munich. Tribal 38 - Summer 2005
(Alex Arthur is publisher and artistic director of Tribal Art magazine.)
Jacques Billen and his Complex World Tribal 103 - Spring 2022
“Gets Curious Relic“ Tribal 101 - Autumn 2021
Dedicated to the Worthy: The Art of Collecting Art Tribal 98 - Winter 2020
Guy van Rijn: Archivist, Collector, and Connoisseur Tribal 97 - Autumn 2020
Colette Ghysels: A Fascination with Finery Tribal 95 - Spring 2020
Woods Davy, Monsieur “Kifwebe” Tribal 93 - Autumn 2019
Life and Art on the Mentawai Islands: Toys for the Souls Tribal 85 - Autumn 2017
Luciano Lanfranchi and Collecting Primitive Art Tribal 84 - Summer 2017
José Bedia: Maker of Spiritual and Artistic Connections Tribal 76 - Summer 2015
Spiritual Connections: Charles Derby on Collecting Tribal 73 - Autumn 2014
The “Shock of the Old” and the Passion of George Lois Tribal 71 - Spring 2014
Future Primitive: A Glimpse into the World of Ross Lovegrove Tribal 66 - Winter 2012
125 Masterpieces: The Wereldmuseum in Rotterdam Tribal 61 - Autumn 2011
African Faces Tribal 55 - Spring 2010
Philippe Guimiot: Expert par excellence Tribal 52 - Summer 2009
Jerome Lionel Joss Tribal 3 - September 1994
Rapa Nui Tribal 1 - March 1994
The Rarest of Combs Tribal 99 - Spring 2021
Easter Island: Navel of the World? Tribal 95 - Spring 2020
The Last Navajo Blankets Tribal 10 - Summer 1996
The Muséum d'histoire naturelle in Le Havre: Drawing “ The Other ” During the Baudin Expedition to Australia, 1800-1804 Tribal 49 - Summer 2008
Asian Civilisations Museum in Singapore: Opening on an impressive New Gallery Tribal 94 - Winter 2019
The Department of Indo-Pacific Art at the Yale University Art Gallery Tribal 73 - Autumn 2014
Textiles & Serpent-Dragons: The Vatter Collection in Frankfurt Tribal 36 - Autumn-Winter 2004
Angola at the Musée Dapper Tribal 60 - Summer 2011
François Boulanger Tribal 60 - Summer 2011
François Raty Tribal 48 - Spring 2008
Michel Boulanger : Beauty Deserves Itself Tribal 35 - Summer 2004
Masters of African Sculpture: Forms and Styles Tribal 43 - Winter 2006
Madagascar Tribal 41 - Summer 2006
The First Uli in Stuttgart’s Linden-Museum Tribal 97 - Autumn 2020
The Dinka of Southern Sudan Tribal 53 - Autumn 2009
The Iroquois Whimsey Tribal 39 - Autumn-Winter 2005
The Deferred Discovery of Kuyu Art Tribal 83 - Spring 2017
Massim Lime Spatulas by the Master of the Prominent Eyes Tribal 13 - Spring 1997
Ancestral Sculpture in Asmat Art Tribal 2 - June 1994
The Monkey as a Toggle. Discovering the Unknown World of the Primitive Art of China Tribal 24 - Autumn-Winter 2000
Central Nigeria Unmasked: Arts of the Benue River Valley Tribal 63 - Spring 2012
On the Trail of W. M. Gabb and His Ancient Lizard Staff Tribal 70 - Winter 2013
When an Artifact is neither "Right" nor "Wrong" Tribal 21 - Summer-Autumn 1999
Olmec: Colossal Masterworks of Ancient Mexico Tribal 58 - Winter 2010
So Many Objects… So Little Time: The Arts Of Africa, Oceania, And The Americas At The New De Young Museum In San Francisco Tribal 39 - Autumn-Winter 2005
Courtly Art of the Ancient Maya Tribal 36 - Autumn-Winter 2004
Spirit Country. Contemporary Australian Aboriginal Art Tribal 21 - Summer-Autumn 1999
Dogon Masks at the Cahors Museum Tribal 36 - Autumn-Winter 2004
A Royal Gift: Njoya to Glauning Tribal 32 - Autumn 2003
A Passion Realized: The Field Research Archive of Frère Joseph Cornet at Loyola University Tribal 63 - Spring 2012
The Fifth Thule Expedition of Knud Rasmussen Tribal 74 - Winter 2014
The Canon and Its Consequences: The Reception of Bamileke Tsesah Crests Tribal 87 - Spring 2018
In and Out of the Studio : Photographic Portraits from West Africa Tribal 77 - Autumn 2015
A Pioneering Collection : Acquiring Congolese Art at the Penn Museum Tribal 68 - Summer 2013
Arts of Africa in Monaco Tribal 38 - Summer 2005
Amazon at the Abbaye de Daoulas Tribal 38 - Summer 2005
Alessandro Passarè Tribal 46 - Autumn 2007
Textiles and Carpets of Tribal Morocco Tribal 14 - Summer 1997
Gold of the Gods. Gold of the Andes Tribal 2 - June 1994
The Analysis of Metal in Tribal Art Tribal 74 - Winter 2014
Carbon 14 Dating for Tribal Art Tribal 69 - Autumn 2013
The History and Derivation of a Lobi Area Sculptural Style: The Holly Keko Style Tribal 76 - Summer 2015
Feather Mosaics from the Keram River: Exceptional Sepik Assemblage Art Tribal 90 - Winter 2018
Lessons in Ancient Yarn Tribal 14 - Summer 1997
Sacred Africa: Ancient Arts of Sub-Saharan Africa at the Montreal Museum of Fine Arts Tribal 43 - Winter 2006
William Hodges and Captain Cook’s Second Voyage to the south Seas Tribal 43 - Winter 2006
The Maori Portraits: Gottfried Lindawer's New Zealand Tribal 86 - Winter 2017
Peggy’s Ethnopassion Tribal 49 - Summer 2008
Native Forests : Arts of Atlantic Equatorial Africa Tribal 85 - Autumn 2017
Origins: Iberian collections shown in Madrid Tribal 38 - Summer 2005
When God Inhabited Ife: Masterpieces of Ancient Nigeria Tribal 37 - Spring 2005
Business Enterprise : acquisition of a pre-dogon masterpiece Tribal 36 - Autumn-Winter 2004
Marcel Griaule ; MALI 1934 Tribal 36 - Autumn-Winter 2004
Grenoble: An Instinctive Collection Tribal 35 - Summer 2004
Daniel Hourdé Tribal 34 - Spring 2004
African Art in Rio de Janeiro Tribal 33 - Winter 2003
Birth of an exceptional museum.- the collections of the Quai Branly Tribal 31 - Summer 2003
Yanomani: Bruce Albert speaks out... Tribal 31 - Summer 2003
Ritual Masks of Nuo Exorcism Performance Tribal 44 - Spring 2007
A Golden Triangle for Oceanic Art Tribal 57 - Autumn 2010
The Ceremonial Axe called " Monstrance " of the Kanaks of New Caledonia Tribal 52 - Summer 2009
On the Festetics de Tolna Exhibition at the musée du quai Branly: Voyage, Collection, and Dispersal Tribal 46 - Autumn 2007
Male Statuary of Nok. An Iconography of Seated Male Figures Tribal 21 - Summer-Autumn 1999
Of Noses and Penises : Masculine Imagery among the Yaka of Southwestern Congo Tribal 60 - Summer 2011
Khosi Sculpture Among the Yaka and Their Neighbors Tribal 33 - Winter 2003
Moche Kings : Divinity and Power in Ancient Peru Tribal 74 - Winter 2014
Polynesia. Art and Divinity, 1760–1860 Tribal 49 - Summer 2008
Sixty Objects from Easter Island Tribal 49 - Summer 2008
French Courts Rule Against the Repartition of a Maori Head to New Zealand Tribal 49 - Summer 2008
Canopies of Emerald: The Rietberg Museum Tribal 44 - Spring 2007
Animals in the Art of New Ireland: Oceanic art, it is the bird, the sky, the dream Tribal 44 - Spring 2007
From One View to Another Tribal 43 - Winter 2006
The musée du quai Branly Tribal 42 - Autumn 2006
Special Report : Quai Branly Museum Tribal 41 - Summer 2006
Traces of the Americas: An homage to Pre-columbian culture Tribal 40 - Spring 2006
The Triumph of "Remote arts" at the Louvre Tribal 23 - Eté 2000
War Charms of the Admiralty Islands Tribal 19 - Autumn-Winter 1998
The Forgotten Islands of the Bismarck Archipelago: the Hermits and Kaniets Tribal 14 - Summer 1997
Herbert Ward 1863 - 1919 Explorer, writer, sculptor and collector Tribal 9 - Spring 1996
Marupai. Magic Amulets of the Papuan Gulf Tribal 5 - Spring 1995
Lime Spatulas from Massim Tribal 4 - December 1994
The Sculptural Artistry of the Taïno. Masterpieces from the Pre-Columbian West Indies Tribal 1 - March 1994
Scrofulous Sogolon: Scanning the Sunjata Epic Tribal 75 - Spring 2015
Animals in the Sculptural Arts of Africa Tribal 47 - Winter 2007
Sensitivity and Power : a photographic homage to Songye sculptors Tribal 35 - Summer 2004
For Sale: A New Guinea Men's House Tribal 39 - Autumn-Winter 2005
Shields of the New Guinea Highlands at the Museum Gugging Tribal 59 - Spring 2011
Jewelry Of Oceania Tribal 22 - Winter-Spring 1999-2000
Highlands Art of New Guinea Tribal 16 - Winter 1997
Understanding Nok terracotta art Tribal 65 - Autumn 2012
She is the Morton D. May Curator and head of the department of the Arts of Africa, Oceania, and the Americas at the Saint Louis Art Museum.
Aso Oke at the Saint Louis Art Museum Tribal 110 - Winter 2023
New Oceanic Galleries at the Saint Louis Art Museum Tribal 101 - Autumn 2021
Special Requests: African Art and Patronage at the Cincinnati Art Museum Tribal 83 - Spring 2017
Eastern Native North American Art at the Saint Louis Art Museum Tribal 102 - Winter 2021
Kuba Textiles : Geometry in Form, Space, and Time Tribal 75 - Spring 2015
The Neuberger Museum of Art: The African Collection Tribal 71 - Spring 2014
Arnold and Joanne Syrop Tribal 63 - Spring 2012
Anthropomorphic Bronze Castings with Enigmatic Tattoos from the Kulai Culture of Siberia Tribal 107 - Spring 2023
Masks of the Evenki and Magyar: New Connections Tribal 100 - Summer 2021
Quileute Ceremonial Art Tribal 58 - Winter 2010
He is an anthropologist at the Tracing Patterns Foundation in Berkeley, California, researching material culture.
Sharing the Heritage of Dani Art. The Hampton Collection at the Tracing Patterns Foundation Tribal 110 - Winter 2023
The Weaver's Muse: Heddle Pulleys in West Africa Tribal 15 - Autumn 1997
Divine Protection. Batak Art of North Sumatra Tribal 2 - June 1994
Carl Schuster Tribal 17 - Spring 1998
Islands of Gold Tribal 3 - September 1994
Shrunken Heads & Tsantsas Tribal 32 - Autumn 2003
Plains Indian Drawings Tribal 13 - Spring 1997
Oceania: Voyages through the Immensity Tribal 86 - Winter 2017
The Easter Island Statue in Brussels Tribal 50 - Autumn-Winter 2008
Lightning Symbol and Snake Dance. Aby Warburg and Pueblo Art Tribal 104 - Summer 2022
Primitive Sculpture of Western Nepal Tribal 40 - Spring 2006
Art and Shamanism in the Himalayas Tribal 22 - Winter-Spring 1999-2000
The Himalayas: Hidden or Revealed Faces? Tribal 8 - Winter 1995
Tribal Art of the Himalayas Tribal 6 - Summer 1995
Pre-Columbian Costa Rican Jade Tribal 13 - Spring 1997
Albert Barnes, The Barnes Foundation, and African Art Tribal 78 - Winter 2015
Bulutoko: Forks and Human Sacrifice in Fiji Tribal 61 - Autumn 2011
The Mysterious Malu Tshambwan Boards of the Middle Sepik River Region of Papua New Guinea Tribal 99 - Spring 2021
Gable Sculptures of the Sepik Tribal 91 - Spring 2019
Ernest Wauchope and the Art of the Yuat River Tribal 78 - Winter 2015
From the Baggage of Margaret Mead to That of La Korrigane : The Curious Story of a Large Biwat Painting at the Musée du Quai Branly Tribal 68 - Summer 2013
Michael D. Coe: Distinguished Professor of Mesoamerican Studies Tribal 68 - Summer 2013
The Photography of Jaier Silva-Meinel Tribal 58 - Winter 2010
Martín Chambi: Andean Photography Tribal 52 - Summer 2009
Four Mesoamerican Celts Tribal 47 - Winter 2007
The Museo del Banco Central de Reserva del Perú Tribal 46 - Autumn 2007
Gillett G. Griffin Tribal 43 - Winter 2006
Pre-Columbian Gold of Costa Rica: Costa Rica's Museo del oro precolombino Tribal 38 - Summer 2005
Talk with André Emmerich Tribal 36 - Autumn-Winter 2004
Nicaragua and its Lost Pre-Columbian Heritage Tribal 17 - Spring 1998
The Complexity of Maternity in Africa Tribal 84 - Summer 2017
Yoruba Sculpture in the Vittorio Meneghelli Collection Tribal 49 - Summer 2008
Dancing Spirits: Selected Illustrations from “ Hopi Katcinas Drawn by Native Artists ” Tribal 71 - Spring 2014
Mementos of a Vanished World: Seventeenth-Century Woodlands War Clubs Tribal 52 - Summer 2009
Shamanic Art of the Upper Xingu Tribal 38 - Summer 2005
Will Soule : The View from Fort Sill Tribal 37 - Spring 2005
Beauty, Honor and Tradition: The Legacy of Plain Indians Shirts Tribal 34 - Spring 2004
A Rare Orok: Cosmology in Feathers Tribal 31 - Summer 2003
Uncommon Legacies: The Native American Collection of the Peabody Essex Museum Tribal 29 - Winter 2002
Art as Cosmology. Cheyenne Women's Rawhide Painting Tribal 18 - Summer 1998
Bambaras & Bamanaya Tribal 21 - Summer-Autumn 1999
F. L. Kenett: A Forgotten Legend Tribal 93 - Autumn 2019
Papua New Guinea: Ancestral Visions Art from the Sepik–Ramu Tribal 92 - Summer 2019
Tom Joyce: The Art of Iron Tribal 88 - Summer 2018
Masterpieces: New Guinea Art from Tervuren Tribal 72 - Summer 2014
Bismarck Art and the Avant-Garde Tribal 69 - Autumn 2013
Berend Hoekstra. The “Eyes of Moko” Tribal 31 - Summer 2003
Hugo A. Bernatzik in the South Pacific Tribal 29 - Winter 2002
Thoughts over an Attribution Tribal 20 - Spring 1999
Pende Ivory Ikhoko Tribal 7 - Autumn 1995
Tom Phillips Tribal 6 - Summer 1995
The Royal Albert Memorial Museum Exeter and an important Hawaiian Spear Support Tribal 4 - December 1994
Treasures of the Museum Fur Völkerkunde Tribal 3 - September 1994
From Object to Dream, from Dream to Object: An Overview of Dream Traditions and Their Artifacts in the Luba Community Tribal 100 - Summer 2021
Strange and fascinating Nyikaryi Tribal 17 - Spring 1998
In the Wake of the Massa Movement Among the Senufo Tribal 13 - Spring 1997
Whakarewarewa and Mita Taupopoki Tribal 57 - Autumn 2010
K. F. Wong: Images of Borneo Tribal 49 - Summer 2008
Headhunters from the swaps: The Marind Anim of New Guinea Tribal 59 - Spring 2011
The Authenticity of Kamoro and Asmat Art Tribal 35 - Summer 2004
A Trobriand Va'yaulo in Westphalia Tribal 25 - Spring 2001
Chokwe Pendants Tribal 46 - Autumn 2007
A Winter Count of the Wajaje Lakota 1758-59 to 1885-86 Tribal 77 - Autumn 2015
White Arm: Master-Artist and Historian of the Crow Tribal 57 - Autumn 2010
Phemba: Mother and Child among the Yombe Tribal 55 - Spring 2010
Casa del Alabado A Museum of Pre-Columbian Art Tribal 59 - Spring 2011
To Dye For: The Art of Resisting Tribal 58 - Winter 2010
On the Grid: Textiles and Minimalism Tribal 82 - Winter 2016
100 X Congo: A Century of Congolese Art in Antwerp Tribal 100 - Summer 2021
The "Mostra di Arte Negra" at the Venice Biennale in 1922 Tribal 95 - Spring 2020
Ex-Africa: Histories and Identities of a Universal Art Tribal 91 - Spring 2019
Tom Lewis: African Art in the Crescent City Tribal 92 - Summer 2019
Kifwebe Maskettes of the Luba and Songye Tribal 48 - Spring 2008
Secrets: Fetishes of Africa Tribal 46 - Autumn 2007
Sacred Spirits: Songye in the Palatine Chapel in Naples Tribal 106 - Winter 2022
Frum African Art Collection at the AGO Tribal 54 - Winter 2009
Master Hands of the Lega : The Bibendum and Aviator Styles Tribal 50 - Autumn-Winter 2008
A Proto-Jukun terracotta figure: A Missing Link : Notes on an Early Proto-Jukun Seated Terracotta Figure Tribal 39 - Autumn-Winter 2005
Master Hands: post scriptum Tribal 31 - Summer 2003
Fang Statuary: A Classical Art Form? Tribal 2 - June 1994
The Komo Mask a unique and Unifying Object Tribal 88 - Summer 2018
The Rock Crystal Skull in Paris Tribal 48 - Spring 2008
Magical Encounters Tribal 26 - Summer-Autumn 2001
Photography in Mexico in the Nineteenth Century Tribal 35 - Summer 2004
Rediscovered Byeri at the Museo Nacional de Antropologia in Madrid Tribal 54 - Winter 2009
The Treasure of Kalumbi and the Buli Style Tribal 10 - Summer 1996
Memento Mori Tribal 107 - Spring 2023
Requiem for a Museum Tribal 102 - Winter 2021
Rewriting History In Order Not to Have to Face It Tribal 101 - Autumn 2021
UNESCO: “The Real Price of Art” Lie Tribal 99 - Spring 2021
What Place for Our Statues? Tribal 97 - Autumn 2020
The Salorges Auction: A Tragicomedy in Three Acts - 23 March 2019 Tribal 93 - Autumn 2019
Confutatis maledictis, flammis acribus addictis … Or an Eternal Flame ? Tribal 92 - Summer 2019
The UNESCO Convention of November 14, 1970: Not a Law for Criminal Prosecution Tribal 90 - Winter 2018
Restitution: The Tides of History or a Trend of the Times? Tribal 89 - Autumn 2018
The UNIDROIT Convention of 1995: A Dangerous Assault on the Internal Jurisdictional Authority of Signatory Countries Tribal 87 - Spring 2018
The Possibility of Trade in Antique Ivory Tribal 85 - Autumn 2017
French Museum Collections : An Inalienable Patrimony Tribal 84 - Summer 2017
UNESCO Convention of November 14, 1970 : Protection limited to designated cultural property Tribal 77 - Autumn 2015
No French legislation exists that prohibits the sale of objects from the Hopi tribe Tribal 72 - Summer 2014
Sacrilege? A Criminal Act? Or Simply the Fair and Straightforward Application of French Law? Tribal 69 - Autumn 2013
Repatriation of Maori Heads: a questionable precedent ? Tribal 57 - Autumn 2010
Buffalo Bill’s Wild West Warriors: Photographs by Gertrude Käsebier Tribal 61 - Autumn 2011
Object Atlas. Fieldwork in the Museum Tribal 64 - Summer 2012
On the Trail of Eugène de Girardin : A Hitherto Unknown Sioux Painted Robe Acquired by the Musée du Quai Branly Tribal 72 - Summer 2014
The Mysterious World of Paul Rabut Tribal 33 - Winter 2003
Monumental Miniatures: The Saul & Marsha Stanoff Collection Tribal 32 - Autumn 2003
Clamra Célestin : Devoted Collector, Ancestral Guardian Tribal 85 - Autumn 2017
Other Worlds: The Photography of Mike Glad Tribal 56 - Summer 2010
An Interview with Marc Franklin: A Tribal Art Collector Tribal 50 - Autumn-Winter 2008
Fractal Thinking: Status Cloths of the Shoowa Tribal 62 - Winter 2011
The Ancestral Link: The Mapuche Stepped-Cross Design Tribal 40 - Spring 2006
Dinasty and Divinity: Ife Art in Ancient Nigeria Tribal 53 - Autumn 2009
Age Dating of Metal: a Snare? Tribal 23 - Eté 2000
Microanalysis: the Final Word Tribal 18 - Summer 1998
The Enduring Art of the Ainu Tribal 30 - Spring 2003
Visionary : Viewpoints on Africa’s Arts Tribal 85 - Autumn 2017
African Innovations at the Brooklyn Museum Tribal 61 - Autumn 2011
Louis Choris and the Romanzoff Expedition Tribal 68 - Summer 2013
The (Re)Verse of a Benin Bronze Plaque : Tracing the story behind a Museum and Collector's Piece Tribal 49 - Summer 2008
Men of Faith: A Pentecost Island Mask and The Reverend Morton Tribal 45 - Summer 2007
Fatal Beauty: Traditional Weapons from Central Africa Tribal 55 - Spring 2010
Beauty and the Beholder: Exceptional Versus Ordinary African Weapons Tribal 15 - Autumn 1997
Fatal Beauty: Tips for Collectors of African Weapons Tribal 11 - Autumn-Winter 1996
Rautenstrauch-Joest Museum Reopens in Cologne Tribal 57 - Autumn 2010
The Brisbane Museum's Collection of Queensland Shields Tribal 51 - Spring 2009
The Pacific Gallery at the South Australian Museum Tribal 18 - Summer 1998
Harry Beran Tribal 10 - Summer 1996
Sydney's Hidden Treasure, The Macleay Museum Tribal 7 - Autumn 1995
Ghana, Yesterday and Today at the musée Dapper Tribal 30 - Spring 2003
Wood Care Tribal 6 - Summer 1995
Lost and Found: Two Bladed Gunstock Clubs and Duke Paul Wilhelm of Würtemberg Tribal 107 - Spring 2023
Frederick Weygold: A Rediscovery Tribal 83 - Spring 2017
On the Trails of the Iroquois Tribal 68 - Summer 2013
The Feather Headdress from Ancient Mexico in Vienna : A Story To Be Told Tribal 62 - Winter 2011
Royal Robes: Native American Hide Paintings at Versailles in the Eighteenth Century Tribal 45 - Summer 2007
Art of Indonesia at UCLA Tribal 3 - September 1994
To tub or to rub: Ubangian Divination Figures Tribal 30 - Spring 2003
Good Ideas Go a Long Way: Similarities in the Artistic Typology of East Africa, Indonesia and Madagascar Tribal 6 - Summer 1995
Children of the Plumed Serpent. The Legacy of Quetzalcoatl in Ancient Mexico Tribal 64 - Summer 2012
New Galleries for the Ancient Americas at LACMA Tribal 50 - Autumn-Winter 2008
The Living Tradition of Yup'ik Masks Tribal 11 - Autumn-Winter 1996
Mestach l’Africain Tribal 44 - Spring 2007
Lives of the Gods: Signatures of Maya Artists at The Met Tribal 106 - Winter 2022
Beyond Compare Art from Africa in the Bode Museum Tribal 87 - Spring 2018
With Damaging Legislation in the Works, Arts Organizations Fight Back Tribal 86 - Winter 2017
STOP · TAAR III - Conceived and Destructive Legislation Tribal 83 - Spring 2017
Behind the masks: People of the Tarres Strait and the collection of the Australian Museum Tribal 31 - Summer 2003
(Jonathan Fogel is editor in chief of Tribal Art magazine.)
Aso Oke at the Saint Louis Art Museum Tribal 110 - Winter 2023
New Perspectives: The Stanley Museum of Art Tribal 107 - Spring 2023
F. E. Williams: Government Anthropologist Tribal 105 - Autumn 2022
Mareakape: A Seminal Artwork of the Kerewo People Tribal 104 - Summer 2022
The African Origin of Civilization at The Metropolitan Museum of Art Tribal 103 - Spring 2022
Phillip Shugar: A Symbol Player Tribal 102 - Winter 2021
New Beginnings: The Chau Chak Wing Museum at the University of Sydney Tribal 100 - Summer 2021
Owen Stanley and the H.M.S. Rattlesnake in New Guinea Tribal 98 - Winter 2020
Dzunukwa. A Kwakwaka’wakw Masterpiece at the Nelson-Atkins Museum of Art Tribal 96 - Summer 2020
The Many Masterpieces of the Arts of Oceania, the Americas, and Africa at the National Museum of Scotland, Edinburgh Tribal 94 - Winter 2019
A Pahouine Goddess Goes to Europe Tribal 92 - Summer 2019
Imun Ajo’: A “Missing Link” Tribal 90 - Winter 2018
J. O. Lewis and The Aboriginal Port Folio Tribal 89 - Autumn 2018
The Scandalous Tale of a Tahitian Penu Tribal 88 - Summer 2018
Steven Michaan - Art of the Spirit World: Woodlands, Arctic, and Northwest Coast Tribal 86 - Winter 2017
Pitwegijig’s Manidookaanaak Tribal 85 - Autumn 2017
The Inner Eye: Vision and Transcendence in African Arts Tribal 84 - Summer 2017
A Portrait and a Shirt : Santiago Naranjo and Henry Balink Tribal 84 - Summer 2017
Michael Martin: Native of Oceania Tribal 82 - Winter 2016
Frederick Catherwood and the Rediscovery of the Maya Tribal 80 - Summer 2016
Obsessed : Javier Peres and African Art Tribal 79 - Spring 2016
Kota at the Pulitzer Arts Foundation Tribal 78 - Winter 2015
Augustus Earle : Eleven Years Abroad (1818–1829) Tribal 75 - Spring 2015
Richard Scheller and the Arts of Africa Tribal 74 - Winter 2014
The New Pacific Gallery at the Bishop Museum Tribal 70 - Winter 2013
Decorated Mats of the peoples of The Borneo Hinterland Tribal 69 - Autumn 2013
African Abstractions : The Collection of Jay T. Last Tribal 69 - Autumn 2013
Gordon Sze : Collecting Pacific Masterpieces Tribal 67 - Spring 2013
John Kenny : Sub-Saharan Journeys Tribal 67 - Spring 2013
Fire Drill : the Côte d'Ivoire Collection of Brian and Diane Leyden Tribal 65 - Autumn 2012
Sharon & Sam Singer. An exhilarating collaboration Tribal 64 - Summer 2012
The John Bourne Gift: Pre-Columbian Art at the Walters Art Museum Tribal 63 - Spring 2012
James J. Ross and African Art Tribal 59 - Spring 2011
Lord Morton's Hints Tribal 58 - Winter 2010
Jeremiah H. Fogelson Tribal 57 - Autumn 2010
Musée du Cinquantenaire: New American and Oceanic Galleries Tribal 51 - Spring 2009
Ladislas and Helena Segy Tribal 47 - Winter 2007
Expansion at the Denver Art Museum Tribal 44 - Spring 2007
K’alyaan’s Helmet Tribal 40 - Spring 2006
Reunited: Two Urhobo Shrine Sculptures Tribal 73 - Autumn 2014
The Lutes of the Santal Tribal 11 - Autumn-Winter 1996
Pathways of Art: How Objects Arrive at a Museum Tribal 107 - Spring 2023
A Brief Visit to Vanuatu Tribal 3 - September 1994
Africa: The Art of a Continent Tribal 10 - Summer 1996
Maya Ruins and the Passage of Time Tribal 97 - Autumn 2020
Lawful Import and Export of Tribal Art under CITES Tribal 38 - Summer 2005
Unexpected Treasures of the Midwest: The Collection of the Eskenazi Museum of Art Tribal 95 - Spring 2020
Madagascar: Arts of the Great Red Island Tribal 89 - Autumn 2018
From Curiosity to Art: African Ivory and Five Centuries in the History of European Taste Tribal 49 - Summer 2008
Preserving the Vanishing: Images of Native Americans by Charles Bird King Tribal 66 - Winter 2012
Senufo: Art and Identity in West Africa Tribal 75 - Spring 2015
NAGPRA: the real problem Tribal 35 - Summer 2004
Art Nègre: Sources, Evolution, Expansion : An Exhibition of African Art Treasures at the First International Festival of Arts Négres in Dakar Tribal 62 - Winter 2011
Somuk, the First Modern Artist of the Pacific Tribal 94 - Winter 2019
Orator's stools of the Middle Sepik River. Reflections on Inalienable Objects Tribal 87 - Spring 2018
Chontal: Ancient Stone Sculpture from Guerrero, Mexico Tribal 26 - Summer-Autumn 2001
The Robert Owen Lehman Collection of Ancient West African Art at the Museum of Fine Arts, Boston Tribal 70 - Winter 2013
Terre Humaine : Portraits from around the world Tribal 61 - Autumn 2011
Cycladic Idols : Primitivism in Antiquity Tribal 61 - Autumn 2011
Far from Cliché: The Polymorphous Art of the Maya of Guatemala Tribal 61 - Autumn 2011
Dogon Sacred Art at the Quai Branly: A lesson in art history Tribal 60 - Summer 2011
Vodun: An Intersection of Perspectives Tribal 60 - Summer 2011
Agnès Pataux: Meeting the Fetishers Tribal 60 - Summer 2011
In the Beginning Was the Python Tribal 58 - Winter 2010
The Great Expeditions of James Cook Tribal 58 - Winter 2010
The Anticollection of Marc Petit Tribal 58 - Winter 2010
The Making of Images : Inside the World's Ateliers Tribal 56 - Summer 2010
Along the Congo River with François Nevt Tribal 56 - Summer 2010
Edmond Dartevelle: A lengthy Exploration Tribal 56 - Summer 2010
Catherine and Patrick Sargos: A Collectors' Itinerary Tribal 56 - Summer 2010
Art of Adornment Tribal 55 - Spring 2010
The Arts and Artists of the Kingdom of Dahomey Tribal 54 - Winter 2009
The Nebulous Himalayas Tribal 54 - Winter 2009
Crossing Views Tribal 54 - Winter 2009
Playing with Persona Tribal 53 - Autumn 2009
Teotihuacán: Birthplace of the Gods Tribal 53 - Autumn 2009
In the Beginning Was Woman Tribal 52 - Summer 2009
The Truant Collection of Daniel Cordier Tribal 51 - Spring 2009
A High - Tension Aesthetic Experience: Visual Encounters at the Beyeler Foundation Tribal 51 - Spring 2009
Rediscovered Memories of Mangareva Tribal 51 - Spring 2009
Bertie and Dos Winkel Tribal 42 - Autumn 2006
African Art in Canadian Collections : A Little - Known Story Tribal 74 - Winter 2014
Steffen Patzwahl: A Man of Enlightened Vision Tribal 89 - Autumn 2018
CT Scan Study of a Nok " Philosopher " Tribal 65 - Autumn 2012
Revealing the Maya : Justin and Barbara Kerr Tribal 40 - Spring 2006
African Crafts Tribal 6 - Summer 1995
Elio Modigliani: an Italian Visitor to Enggano, The "Island of Women" (part 1) Tribal 27 - Winter 2001 - Spring 2002
A Desire for Art: The Ewa and Yves Develon Collection at the Musée des Confluences Tribal 91 - Spring 2019
She is a Boston-based collector of historic African and Oceanic art and contemporary African art.
Lou Wells: “Professor Provenance” Tribal 110 - Winter 2023
Stephen Thompson and the British Museum Tribal 74 - Winter 2014
Arctic Traditions : The Inuit Collection of the Ulster Museum in Belfast Tribal 34 - Spring 2004
The Art of Fesira: Narrative Figuration in Southern Madagascar Tribal 104 - Summer 2022
26 Rue Jacob: A Mermaid and her Masks Tribal 103 - Spring 2022
Saint Petersburg and African Art Tribal 97 - Autumn 2020
The Worlds of F.-H. Lem. "I am the mind that always contradicts" Tribal 94 - Winter 2019
Restitution: Left Only with Our Eyes with Which to Cry Tribal 91 - Spring 2019
A Rediscovered Mbumba Tribal 81 - Autumn 2016
The Governor’s Statue Tribal 64 - Summer 2012
The Art of Abolition Tribal 1 - March 1994
Art of the Arctic at the Musee du Quai Branly: Upside Down Tribal 50 - Autumn-Winter 2008
Among the Most Beautiful of White Masks. Tsangui Masks Tribal 94 - Winter 2019
Masks of the Galwa with Black, Red, and White Markings Tribal 84 - Summer 2017
Lumbu Statuary : A Refined Art Style Revealed in the Early Twentieth Century Tribal 77 - Autumn 2015
The Vuvi and Their Masks : A Little - Known Gabonese Culture Tribal 67 - Spring 2013
The Nkita Panel: An Image Poem Tribal 58 - Winter 2010
Epa Masks of Moshood Olúsomo Bámigbóyè Tribal 106 - Winter 2022
Philippine Tribal Art. Figurative Spoons and Ladles Tribal 6 - Summer 1995
Gauguin and Polynesia: An Elusive Paradise Tribal 63 - Spring 2012
The Olmec World: Ritual and Rulership Tribal 9 - Spring 1996
The Last Yanda Figures. Twenty-Four Zande Figures from the Jay T. Last Collection Tribal 96 - Summer 2020
Visions from the Forest : The Art of Liberia and Sierra Leone Tribal 73 - Autumn 2014
African Art in Motion : The new New African Galleries at the Minneapolis Institute of Arts Tribal 71 - Spring 2014
Ubangi : Open Borders in a Central African Crucible Tribal 45 - Summer 2007
Man Ray: Objects and Images Tribal 39 - Autumn-Winter 2005
Cahors Discovers a Rongo Tribal 36 - Autumn-Winter 2004
Atua : Sacred Gods of Polynesia Tribal 73 - Autumn 2014
New Ireland: Art of the South Pacific Tribal 42 - Autumn 2006
The Oceanic galleries at the Saint Louis Art Museum. Recent relnstallation Tribal 30 - Spring 2003
The Lives of Sugpiaq Masks Tribal 54 - Winter 2009
Dapper: The Language of Hair Tribal 32 - Autumn 2003
How a Chance Visit with a London Art Dealer Led Me to William Oldman Tribal 81 - Autumn 2016
Textiles of Indonesia: The Thomas Murray Collection Tribal 105 - Autumn 2022
Art of the Austronesians: The Legacy of Indo-Pacific Voyaging Tribal 80 - Summer 2016
The Plains Indian Museum: at the Buffalo Bill Historical Center Tribal 48 - Spring 2008
Food for the Flames Tribal 61 - Autumn 2011
Pacific Treasures: The Masco Collection Goes to Eos Angeles Tribal 50 - Autumn-Winter 2008
Pacific Encounters: Polynesian Art at the Sainsbury Centre Tribal 42 - Autumn 2006
Maori Art at the British Museum Tribal 19 - Autumn-Winter 1998
Sky Pebbles. Some Relics from Mangaia and Additional Notes on the Cook Islands Tribal 16 - Winter 1997
Mark Blackburn Tribal 9 - Spring 1996
Dr. Terence Barrow Tribal 5 - Spring 1995
A Polynesian God and the Missionaries Tribal 4 - December 1994
Leo & Lillian Fortess Tribal 1 - March 1994
People of the West Bank of the Lower Niger Tribal 16 - Winter 1997
The Yoruba Tribal 8 - Winter 1995
The Senufo Tribal 5 - Spring 1995
Statuettes of the Baguirmi and Kenga Tribal 4 - December 1994
Keaka, Kaka & "KAKA" Tribal 3 - September 1994
Art & Artifacts from Micronesia Tribal 55 - Spring 2010
Royal Hawaiian Featherwork : Na Hulu Ali'i Tribal 78 - Winter 2015
Objects of Belief from the Vatican : Art of Africa, Oceania, and the Americas Tribal 68 - Summer 2013
The Jolika Collection of New Guinea Art: Opens at the de Young Museum in San Francisco Tribal 39 - Autumn-Winter 2005
A new Oceanic Gallery at the Peabody Essex Museum Tribal 32 - Autumn 2003
Number 559: a Maori Pare Tribal 30 - Spring 2003
A rare Hawaiian ivory pendant in the collection of the Peabody Essex Museum Tribal 29 - Winter 2002
A New Wave: Art from the Pacific in Minneapolis Tribal 51 - Spring 2009
Chiefs & Governors : Fijian Art at the Museum of Archeology and Anthropology, Cambridge Tribal 69 - Autumn 2013
The Human Figure Reinvented : Mumuye Sculpture from Nigeria Tribal 81 - Autumn 2016
Oceania: Ritual Signs, Authority Symbols Tribal 50 - Autumn-Winter 2008
Icons of Perfection : Some Thoughts on the Relationship between Aesthetics and Function in African Sculpture Tribal 40 - Spring 2006
Facing the Mask Tribal 29 - Winter 2002
In the Presence of Spirits: African Art from the National Museum of Ethnology in Lisbon Tribal 24 - Autumn-Winter 2000
Binoche vs. Mexico Tribal 50 - Autumn-Winter 2008
Tiki of the Marquesas Islands Tribal 82 - Winter 2016
Erle Loran Artist, Collector, and Scholar Tribal 4 - December 1994
Masks and Figurines from Ammassalik: The Gustav Holm Expedition, 1883-85 Tribal 48 - Spring 2008
Knud Rasmussen : Arctic Explorer and his masks from Nunivak Tribal 43 - Winter 2006
Carl Kjersmeier : A Pioneer Among Collectors of African Art Tribal 37 - Spring 2005
African Masters : Art of Côte d’Ivoire Tribal 71 - Spring 2014
Cameroon: Art of the Kings Tribal 47 - Winter 2007
“This Is Not a Weapon”: Reappraising Clubs from Oceania Tribal 102 - Winter 2021
Fijian Histories: Chiefs, Valuables, and Exchange Tribal 94 - Winter 2019
Fijian Art : Tradition and Innovation Tribal 81 - Autumn 2016
The Art Nègre Sculptures of Guillaume Apollinaire and Paul Guillaume Tribal 79 - Spring 2016
Native American Art in the city of Lakes : The Collection at the Minneapolis Institute of Arts Tribal 63 - Spring 2012
Kichizô Inagaki : In the Shadow of the Twentieth Century Greats Tribal 66 - Winter 2012
George Craig. Reflections over a Bottle of Negrita Rum Tribal 96 - Summer 2020
From the Chisel of Mataora: The Maori Art of Skin Marking Tribal 91 - Spring 2019
Hunstein Art: Eight Garra in the Collection of the National Gallery of Australia Tribal 82 - Winter 2016
Myth & Magic : Art of the Sepik River : Masterpieces in Australian Collections Tribal 76 - Summer 2015
The Vanuatu Field Collection at the National Gallery of Australia N.G.A. Tribal 67 - Spring 2013
Breathing Life Back into an Ancestor at the National Gallery of Australia Tribal 63 - Spring 2012
Art of the Solomons at the National Gallery of Australia in Canberra Tribal 59 - Spring 2011
The National Gallery of Australia's Pacific Arts Collection Tribal 47 - Winter 2007
Otto Finsch: Images of the Pacific, 1879–1885 Tribal 91 - Spring 2019
Ancient Peruvian Mantles. 300 B.C.-A.D. 200 An exhibition at The Metropolitan Museum of Art, New York, February 23 - August 13, 1995. Tribal 6 - Summer 1995
When a Mask is Not a Mask : The Photograms of Adam Fuss Tribal 83 - Spring 2017
East-African High-Backed Stools: a Transcultural Tradition
The Gifts of Pakoko Tribal 83 - Spring 2017
Matahoata : Arts and Society in the Marquesas Islands Tribal 80 - Summer 2016
An African Dagger that should not exist Tribal 1 - March 1994
Tribal Art's Forgotten Ones: An Interview with Nanette Jacomijn Snoep Tribal 51 - Spring 2009
Armand Hutereau’s Expedition to the Northeastern Congo Tribal 100 - Summer 2021
Mocotaugan: The Art of the Crooked Knife Tribal 38 - Summer 2005
Bronze Sculptures of the Kondh Tribal 38 - Summer 2005
The Coe Collection of American Indian Art Tribal 64 - Summer 2012
The Tribal Art Collection of the Ipswich Museum Tribal 57 - Autumn 2010
The Policeman’s Eye : Paul Foelsche’s Frontier Photography Tribal 37 - Spring 2005
Tupele: Basket Divination Symbols of the Chokwe Tribal 30 - Spring 2003
Chokwe Pwo Masks : A Note on Style Tribal 71 - Spring 2014
The Musical Instrument Museum: Phoenix, Arizona Tribal 59 - Spring 2011
La collection de Madame. A Few Keys to Understanding the Exhibition at the Musée du Quai Branly - Jacques Chirac Tribal 94 - Winter 2019
Eclectic: A 21st-Century Collection Tribal 82 - Winter 2016
Visions of Africa Tribal 34 - Spring 2004
Striking Iron: The Art of African Blacksmiths Tribal 92 - Summer 2019
Masterpieces of Africa in Turin Tribal 33 - Winter 2003
Art of the Ancient Americas at Princeton Tribal 76 - Summer 2015
Sculptural Masterpieces of Arctic Hunters Tribal 54 - Winter 2009
In the Enchanted Isles Tribal 106 - Winter 2022
The Marquesas Islands collection at the Musée d'ethnographie in Neuchâtel : The Story of an Unexpected Museum Collection Tribal 79 - Spring 2016
Gold of the Indonesian Archipelago Tribal 6 - Summer 1995
The Arts of Vabuatu at the Porte Dorée in Paris Tribal 15 - Autumn 1997
Magic Art from the rainforest of New Guinea Tribal 31 - Summer 2003
Pangolin Oracles in Southern Tanzania With Notes on Other Roles Played by the Scaly Anteater in Africa Tribal 79 - Spring 2016
Mayasa Grave Sculptures on Buton Island in Sulawesi Tribal 70 - Winter 2013
African, Mesoamerican, and Pacific Arts at the Utah Museum of Fine Arts, Salt Lake City Tribal 86 - Winter 2017
Rapa Nui : A Traveler’s notes Tribal 33 - Winter 2003
Radiance from the Rainforest: Featherwork in Ancient Peru Tribal 48 - Spring 2008
The Pacific Resurfaces : New Galleries for Oceanic Art at The Metropolitan Museum of Art Tribal 47 - Winter 2007
Shadows in the Forest : The Dendroglyphs of Rekohu Tribal 35 - Summer 2004
Moai Miro: Wood Sculpture of Rapa Nui Tribal 27 - Winter 2001 - Spring 2002
Into the Art of Borneo: the Kenyah - Kayan tradition Tribal 21 - Summer-Autumn 1999
(Susan Kloman is an expert in African and Oceanic art whose many years as a leading auction professional led to increased recognition of the unique contributions of traditional African and Oceanic artists. Recently she founded Kloman Art, based in New York.)
Seeking Beauty and the Unusual: A Conversation with Ceil Pulitzer Tribal 98 - Winter 2020
Discovered : A Supremely Rare and Important Yoruba Bowl by Olowe of Ise Tribal 35 - Summer 2004
The Last Totem Poles of the Haida Tribal 26 - Summer-Autumn 2001
Funerary Art of Madagascar Tribal 19 - Autumn-Winter 1998
The Arts of Bahr-el-Ghazal: Funerary Sculpture of the Bongo and Belanda Tribal 22 - Winter-Spring 1999-2000
The Arts of Bahr-el-Ghazal (part 2): funerary sculpture of the avokaya, morokodu, nyamusa, beli, lori, and azande Tribal 28 - Summer-Autumn 2002
Making the World: A Cooperative Project Tribal 102 - Winter 2021
Jakob Peter Georg Agner Møller: The Nias Collection in Copenhagen Tribal 101 - Autumn 2021
Kongo : Power and Majesty Tribal 77 - Autumn 2015
Warriors and Mothers : Epic Mbembe Art Tribal 74 - Winter 2014
Nelson A. Rockefeller : The Museum of Primitive Art and the Metropolitan Museum of Art Tribal 69 - Autumn 2013
Heroic Africans : Legendary Leaders, Iconic Sculptures Tribal 61 - Autumn 2011
The Essential Art of African Textiles: Design Without End Tribal 50 - Autumn-Winter 2008
Eternal Ancestors : Art of the Central African Reliquary at the Met Tribal 46 - Autumn 2007
Sahel: Art and Empires on the Shores of the Sahara Tribal 95 - Spring 2020
Identifying the Shaman in the Art of Pre-Hispanic Central Panama Tribal 6 - Summer 1995
African Art in Brussels as Seen through the Lens of Germaine Van Parys, Belgian Photojournalism Pioneer Tribal 88 - Summer 2018
African Kings Tribal 45 - Summer 2007
Richard Alvin Pohrt: Master Collector of the American Indian Frontier Tribal 20 - Spring 1999
The History of Collecting American Indian Art Part II: The Nineteenth and Twentieth Centuries Tribal 5 - Spring 1995
The History of Collecting American Indian Art. The Beginnings to the Early Nineteenth Century Tribal 4 - December 1994
How Can Two Continents Share a Collection? The story of partnership and exchange of prespectives between a museum in Alaska and another in France Tribal 54 - Winter 2009
Kabylie Traditional Rural Potteries Tribal 4 - December 1994
Paracas: Unpublished Treasures from Ancient Peru Tribal 48 - Spring 2008
Indigenous Peoples of the Pacific and the Forgotten Russian Artist Mikhail Tikhanov Tribal 92 - Summer 2019
Orilonise: The Hermeneutics of the Head and Hairstyles among the Yoruba Tribal 27 - Winter 2001 - Spring 2002
Raoul Lehuard Tribal 62 - Winter 2011
A Donation to the Museums of Le Mans Tribal 17 - Spring 1998
Unclassifiable Tribal 42 - Autumn 2006
On the trail of the Serpent Tribal 20 - Spring 1999
Dogon, On the tracks of the Pale Fox … Tribal 3 - September 1994
Life in the Pacific of the 1700s: The cook/Forster Collection of the Georg August University of Göttingen Tribal 40 - Spring 2006
Sons of the Forest: The Photography of Max Schmidt (1900–1935) Tribal 76 - Summer 2015
The Museumification of Perception : The “ Boîte d’Arts Graphiques ” at the Musée du Quai Branly Tribal 70 - Winter 2013
An Inverse Mirror. Considering Exhibitions : The Invention of the Savage Tribal 64 - Summer 2012
Tuareg Art in European and American Museums Tribal 42 - Autumn 2006
Children of the Plumed Serpent : The Legacy of Quetzalcoatl in Ancient Mexico Tribal 64 - Summer 2012
A Navigator’s Weather Charm from the Kaniet Islands in the Museum Fünf Kontinente, Munich Tribal 89 - Autumn 2018
Ritual Bronzes of the Amur Region of Eastern Siberia
Red Cloud, Dog Child, and the “ Long Knife ” of the Samurai in Indian Country Tribal 91 - Spring 2019
The Versailles “ Masque de chasse de la lousiane " Tribal 46 - Autumn 2007
(Elena Martínez-Jacquet is editor in chief of the French edition of Tribal Art magazine.)
Scarifications: A Stroll through Two Universes with Miquel Barceló Tribal 110 - Winter 2023
Albert Costa: The Man Who Has Been Everywhere Tribal 107 - Spring 2023
Resonance: Jean-Michel Basquiat and the Kongo Universe Tribal 105 - Autumn 2022
Currencies and Wonders: A Dazzling Voyage Toward the Intimate Tribal 105 - Autumn 2022
A Year After the Périnet Sale or, The Permanence of the Unique Tribal 104 - Summer 2022
On the Trail of the Elephant ... and that of Abou Ballas Tribal 104 - Summer 2022
Out of the Shadows: Sculptures from Southwest Congo Tribal 103 - Spring 2022
Anna Demina: Passion, Pencils, and the Arts of Gabon Tribal 101 - Autumn 2021
Marc Ladreit de Lacharrière: From Private to Public Tribal 100 - Summer 2021
The Olmec and the Civilizations of the Gulf of Mexico in Paris Tribal 98 - Winter 2020
Jean Dubuffet: A Barbarian in Europe Tribal 97 - Autumn 2020
Exotic? Switzerland looking outward in the age of Enlightment Tribal 97 - Autumn 2020
Félix Fénéon: Art from Distant Places Tribal 92 - Summer 2019
Yves-Bernard Debie: Or, Quotidian Art Tribal 91 - Spring 2019
Africa: Religions of Ecstasy. Exhibiting the Experience to Understand It Tribal 88 - Summer 2018
Love First: Bérengère Primat and Australian Aboriginal Art Tribal 87 - Spring 2018
Paintings from Afar Tribal 87 - Spring 2018
Visions of Australia : The Photography of Michael Cook Tribal 85 - Autumn 2017
Non-European Art at the Musée des Confluences : The Story of a Museum Project and a Very “ Lyonese ” Collection Tribal 84 - Summer 2017
Picasso Primitif: Convergence at the Source of Creation Tribal 84 - Summer 2017
From the Jordan to the Congo : Connections and Syncretism Tribal 83 - Spring 2017
Pierluigi Peroni : A Colossal Collector of Small Objects Tribal 83 - Spring 2017
Books and Objects : A Meeting with Javier Lentini Tribal 81 - Autumn 2016
Two Very Real Worlds The Ligabue Collection of Pre-Columbian Art Presented at the Museo Archeologico Nazionale in Florence Tribal 79 - Spring 2016
Aesthetics of the Amur : Bark, Spirals, and Scales in the Decorative Arts of Far-Eastern Siberia Tribal 78 - Winter 2015
Masterpieces from Africa : tracing the history of the Musée Dapper in Honor of Michel Leveau Tribal 78 - Winter 2015
Alain Weill A Collector of Sculpture unlike any other Tribal 77 - Autumn 2015
The Gazes of Masks A Chronicle of Pierre Amrouche's Twenty Years of Travel through Gabon Tribal 77 - Autumn 2015
A New Museum of World Cultures for Barcelona Tribal 75 - Spring 2015
A Passion for Himalayan Masks : An Encounter with Rosa Amorós Tribal 75 - Spring 2015
An Encounter with a Creator of Images : The Photographic Approach of Hughes Dubois Tribal 72 - Summer 2014
Josep Tapiró : Portraits by a Virtuoso Watercolorist in Tangiers Tribal 72 - Summer 2014
So Familiar, So Mysterious : The Art of the Baga of Guinea at the Musée Barbier-Mueller in Geneva Tribal 70 - Winter 2013
From Painting to Africa : A Conversation with Michel and Natacha Lequesne Tribal 70 - Winter 2013
Musical Sculptures : An Aesthetic View of Sonority Tribal 69 - Autumn 2013
Charles Ratton : The Invention of “ Primitive Art ” A look at a life, a prespective, an Epoch Tribal 68 - Summer 2013
A Historic Sale: An Interview with Jean Paul Barbier-Mueller on the Upcoming sale of his Pre-Columbian Artworks Tribal 67 - Spring 2013
Conceiving of Forms, Revealing a culture : Design in Africa : Sitting, sleeping, and dreaming Tribal 67 - Spring 2013
Spain Pays Homage to North America: Revisiting Memorable Temporary Exhibitions Tribal 59 - Spring 2011
A Long-Awaiting Homage: Ode to Great African Art : Les statues meurent aussi Tribal 57 - Autumn 2010
Regards de Marchands: A passion for Tribal Art Tribal 53 - Autumn 2009
Revisiting the Dakar-Djibouti Expedition Tribal 52 - Summer 2009
Carl Einstein: The Exaltation of Art Nègre Tribal 51 - Spring 2009
Fragments of the Living: African Sculptures from the Liliane and Michel Durand-Dessert Collection Tribal 49 - Summer 2008
A New Approach for the Museu Barbier-Mueller d’Art Precolombí in Barcelona Tribal 47 - Winter 2007
Cultures of the World: The collection of the national museum of Denmark Tribal 42 - Autumn 2006
The Defeat of the Face or, A Shake-Up in the Archives Tribal 96 - Summer 2020
André Breton & Claude Lévi-Strauss : Collecting Tribal Art Tribal 46 - Autumn 2007
Shifting Patterns: Barkcloth of the Pacific Tribal 79 - Spring 2016
Between the Seas: Images of Plains Indians by Karl Bodmer Tribal 50 - Autumn-Winter 2008
Broad Sunlight: Photography in West Africa before 1920 Tribal 95 - Spring 2020
Out of the Amazon : Life on the River - History of a Museum Collection Tribal 81 - Autumn 2016
The Radiance of the Shadows : Black and white Art of the Solomon Islands Tribal 74 - Winter 2014
Hei Tiki of New Zealand Aotearoa Tribal 62 - Winter 2011
The Library of Claude Lévi-Strauss : joins the media library of the Quai Branly Tribal 62 - Winter 2011
Sculpture of Ubangi Tribal 45 - Summer 2007
On the Energy of the Object. Hugues Dubois Photographs the Louvre's "Arts Premiers" Tribal 23 - Eté 2000
Mbuti Design. Pygmy Art of Ituri, Zaire Tribal 14 - Summer 1997
Sharing the Heritage of Dani Art. The Hampton Collection at the Tracing Patterns Foundation
The Fantastic African Blades of Tilman Hebeisen Tribal 88 - Summer 2018
The Caciques and their Inkas Tribal 104 - Summer 2022
James Lesesne Wells: Africa and African Art Tribal 103 - Spring 2022
Arts of the Early Caribbean at The Metropolitan Museum of Art Tribal 96 - Summer 2020
Mimbres: Visionary Painting at LACMA Tribal 89 - Autumn 2018
After the Indian Wars : The Rinehart Portrait Photos Tribal 84 - Summer 2017
Robert Lebel’s Notebook Tribal 82 - Winter 2016
An Ishi Projectile Point Tribal 79 - Spring 2016
No Mere Plaything: A Tshokwe Royal Figure Tribal 74 - Winter 2014
Misattributed : A Nuu-chah-nulth Treasure Comes Home Tribal 67 - Spring 2013
Alexandre Iacovleff & the Croisière Noire Tribal 65 - Autumn 2012
The Art of Disguise Tribal 58 - Winter 2010
The Aztec Pantheon at the Getty Villa Tribal 56 - Summer 2010
Karl-Ferdinand Schädler Tribal 53 - Autumn 2009
Ancestral Art of the Marquesas Islands: Te haa tupuna kakiu no te henua enana Tribal 49 - Summer 2008
Les Arts Sauvages Tribal 48 - Spring 2008
Behanzin, King of Abomey Tribal 44 - Spring 2007
The Chief Left Hand Shield Tribal 44 - Spring 2007
Kerry Photography Tribal 40 - Spring 2006
Across Time and Tundra: The Inuvialuit Tribal 36 - Autumn-Winter 2004
Vittorio Carini Tribal 29 - Winter 2002
Fineline Painting of the Moche Tribal 24 - Autumn-Winter 2000
Akan Golweights
Dayak Brass Earrings Tribal 10 - Summer 1996
Splendid Heritage Tribal 7 - Autumn 1995
(Pierre Mollfulleda is an art historian and head of sales for the department of African and Oceanic art for Sotheby’s, France.)
Bela Hein’s Kifwebe Tribal 98 - Winter 2020
Africa and Oceania: Masterpieces of the Musée Barbier-Mueller Tribal 48 - Spring 2008
A Millenary Heritage: What is God but a potter and, at the same time, a breaker of pots Tribal 52 - Summer 2009
He is Deputy Director and Head of Curatorial, Research, and Teaching at the Pitt Rivers Museum.
Collaborating with the Past: The Ambrotypes of Shane Balkowitsch Tribal 110 - Winter 2023
Woven Legacies: Basketry of Native North America Tribal 53 - Autumn 2009
African Vision : The Walt Disney-Tishman African Art Collection Tribal 43 - Winter 2006
Art and the Individual in Baule Life Tribal 16 - Winter 1997
Magie van de Vrouw : Textiles and Jewelry from Indonesia Tribal 64 - Summer 2012
A Passion for Indonesia. The Georg Tillmann Collection at the Tropenmuseum, Amsterdam Tribal 9 - Spring 1996
Foreign Exchange : or Stories You Wouldn’t Tell a Stranger Tribal 72 - Summer 2014
Wilfred Thesiger's East Africa Tribal 34 - Spring 2004
Noble and Jean Endicott: Fifty Years with African Art and Counting Tribal 105 - Autumn 2022
Jacques Kerchache. A Lesson in Looking Tribal 30 - Spring 2003
Splendid Heritage Redux Tribal 55 - Spring 2010
A Recently Revealed Tino Aitu Figure from Nukuoro Island, Caroline Islands, Micronesia Tribal 47 - Winter 2007
Nackenschmuck (Ornament worn on the back of the neck) Tribal 19 - Autumn-Winter 1998
The Return of Kashaashwiimi: a stolen kuba sacred statue returns home Tribal 45 - Summer 2007
Gongs and Trumpeting : A Reevaluation of Vietnam’s Museum Patrimony Tribal 68 - Summer 2013
An Encounter with the Konso: The people of the Aurora ; and a visit to their New Museum Tribal 58 - Winter 2010
Jacques Chirac, Indigenous Art and the Sacred Tribal 94 - Winter 2019
Martha W. Longenecker Tribal 44 - Spring 2007
Oceania: Curios, Navigators and Scholars An excursion into the Oceanic Collections of the Museums of North-Pas-de-Calais. Tribal 13 - Spring 1997
Atea: Nature and Divinity in Polynesia Tribal 91 - Spring 2019
Eyes on the Horizon : Oceania at the Royal Academy, London Tribal 90 - Winter 2018
Dada Afrika : A Trans-Disciplinary Exhibition Project Tribal 80 - Summer 2016
Preserving the Tangible and Non-Tangible in Native American Art Tribal 5 - Spring 1995
Beaded Coiffures of the Acholi, Dodinga, Latuka, and Related Groups Tribal 80 - Summer 2016
A Lost Art Form: Feathered Capes of the Great Lakes Region Tribal 24 - Autumn-Winter 2000
A New Installation at the de Young: Native Artists of Western North America Tribal 88 - Summer 2018
Images of Moctezuma and his symbols of power Tribal 54 - Winter 2009
The Sole Kavakava to Be Documented in the Hands of Easter Islanders, 1873 Tribal 86 - Winter 2017
Through African Eyes: The European in African Art, 1500 to Present Tribal 56 - Summer 2010
Ancestor Cults in Geelvink Bay Tribal 97 - Autumn 2020
A Yoruba Worshipping Crown
Dining with Kings Ceremony and Hospitality in the Cameroon Grassfields Tribal 87 - Spring 2018
Mr. Many Heads Tribal 57 - Autumn 2010
Art as Life. The Ifugao Bu-lul Tribal 17 - Spring 1998
Martin Gusinde : The Last of the Selk’nam (Patagonia) Tribal 63 - Spring 2012
In the Land of the Slit Gongs That are Still Standing Tribal 15 - Autumn 1997
Mata Rahui: Maori Carved “Memorial,” or “Trespass,” Heads Tribal 102 - Winter 2021
Law and the Identification of Ivory in Tribal Art Tribal 80 - Summer 2016
From Stone to Brass: Forging an Indigenous Entitlement Tribal 53 - Autumn 2009
Seizure of Art Objects Tribal 34 - Spring 2004
Is that carving Stolen? Due Diligence Tribal 32 - Autumn 2003
Maori Art in New Zealand Tribal 31 - Summer 2003
The U.S. vs an antique platter of gold Tribal 29 - Winter 2002
Disney-Tishman Gift to the Smithsonian Institution Tribal 39 - Autumn-Winter 2005
Treasures : Aesthetic Discoveries and Visual Delights Tribal 37 - Spring 2005
(Philip M. Peek is professor emeritus, Drew University, and a research associate, Smithsonian Institution. He has published widely on African divination, verbal and visual arts, and expressive behavior.)
Lower Niger Bronzes of Southern Nigeria Tribal 98 - Winter 2020
New Oceanic Galleries at the Saint Louis Art Museum Tribal 101 - Autumn 2021
Sepik : Arts of Papua New Guinea Tribal 77 - Autumn 2015
Jivya Soma Mashe The Premier artist of the Warli Tribal 26 - Summer-Autumn 2001
New Frontiers for Tribal Art : Native American Art in Colombia and China Tribal 74 - Winter 2014
Comments on a Dance Mask from the Lambaréné Region of Gabon Tribal 80 - Summer 2016
Fang Masks of Equatorial Africa: Relationship, Diversity, Evolution Tribal 50 - Autumn-Winter 2008
The Art of Gabon in the Vérité Collection Tribal 40 - Spring 2006
Art of the Kwele of Equatorial Africa: ancestor masks, bush spirit masks Tribal 25 - Spring 2001
Burmese Medicine Figures Tribal 89 - Autumn 2018
The Language of Beauty in African Art Tribal 105 - Autumn 2022
Making Objects Speak at the Art Institute of Chicago Tribal 99 - Spring 2021
Between Heaven and Earth : Luluwa Sculpture of the Democratic Republic of the Congo Tribal 89 - Autumn 2018
Inscriptions : Establishing a Pre-1937 Acquisition Date for 1,525 Central African Sculptures Tribal 85 - Autumn 2017
Not Just a Snake: New Light on the Serpent Headdress at the Cleveland Museum of Art Tribal 82 - Winter 2016
René and Odette Delenne Tribal 61 - Autumn 2011
The Art of Daily Life: Portable Objects from Southeast Africa Tribal 60 - Summer 2011
Art & Power in the Central African Savanna: Sculpture of the songye, Luba, Luluwa, and Chokwe Peoples Tribal 51 - Spring 2009
A New Installation for African Art in Cleveland Tribal 36 - Autumn-Winter 2004
The Cabinet of Curiosities at the Bibliothèque Sainte-Geneviève Tribal 66 - Winter 2012
Sacred Spirits: Songye in the Palatine Chapel in Naples Tribal 106 - Winter 2022
An Afro-Malatestian Oliphant at The Met in New York Tribal 105 - Autumn 2022
Portrait of a young museum and its curator: the Antwerp Museum of Ethnography Tribal 3 - September 1994
Interviews with Louis Schweitzer and Marc Henry Tribal 65 - Autumn 2012
Meeting of the Kachina Tribal 2 - June 1994
Paul Guillaume and African Art: The History of a Collection in Light of New Research Tribal 59 - Spring 2011
Lives of the Gods: Signatures of Maya Artists at The Met Tribal 106 - Winter 2022
Golden Kingdoms: Luxury Arts in the Ancient Americas Tribal 87 - Spring 2018
Pierre Dartevelle: The Collector Tribal 88 - Summer 2018
Arts of Africa: Bordeaux Reveals the Invisible Tribal 60 - Summer 2011
Anne Leurquin has left us : for the rail of the Serpent Tribal 42 - Autumn 2006
The Buli Master A Review of the Case Tribal 26 - Summer-Autumn 2001
The Buli Master. Isolated Master or Atelier? Toward a catalogue raisonné Tribal 10 - Summer 1996
Tervuren: Rediscovery of a Great Museum Tribal 5 - Spring 1995
Lobi Statuary and the Statuary of Related Peoples. An example of cult art. Tribal 1 - March 1994
Kings and Rituals: Court Arts from Nigeria Tribal 45 - Summer 2007
The Dreams and Marvels of Coco Fronsac Tribal 78 - Winter 2015
Primitivism in Photography : The impact of African, Pacific, Native American, and Asian Artworks on Modern Photography : 1918-2006 Tribal 41 - Summer 2006
The Masks of Bhutan: Objects, Meanings, and Values Tribal 54 - Winter 2009
Inquiry about a Skull Tribal 60 - Summer 2011
Dr. Werner Muensterberger Tribal 39 - Autumn-Winter 2005
Forging Memory in Iron: Asen Arts of Dahomey Tribal 90 - Winter 2018
A Hawaiian Feather Cloak : witness to a failed encounter Tribal 33 - Winter 2003
Funerary Posts of the Sara People of Chad Tribal 40 - Spring 2006
Australian Aboriginal Art : Surveying the Landscape Tribal 66 - Winter 2012
A Closer Look at the Chief White Antelope Blanket Tribal 46 - Autumn 2007
Making Old Navajo Textiles Talk: New Methods and New Results Tribal 32 - Autumn 2003
The U.S. versus Joshua Baer Tribal 30 - Spring 2003
Evoking the Exotic : Members' Photographs at the Explorers Club Tribal 69 - Autumn 2013
Human-Type Visages in Peruvian Pre-Columbian Textile Art Tribal 68 - Summer 2013
Siguas Textiles: Mystery & Magic Tribal 42 - Autumn 2006
Llamas with Golden Coats : Fauna as inspiration in ancient Peruvian Art - Animals in Peruvian Art Tribal 39 - Autumn-Winter 2005
Ancient Peruvian Wood Carvings Marvels of a Vanished World Tribal 35 - Summer 2004
Rare Excitement, Marvelous Reality Tribal 30 - Spring 2003
Ancient Objects, Living People, and New Visions Tribal 37 - Spring 2005
The Intercontinental Recycling of a Beaded Ornament Tribal 18 - Summer 1998
Bari Sculpture of South Sudan Tribal 106 - Winter 2022
Vanishing Africa Tribal 47 - Winter 2007
Austral Island “ Paddles ”: Their Primary Motifs and a Global Search Tribal 66 - Winter 2012
Seeing the Unseen : Visionary Aspects of Eskimo Snow Goggles Tribal 65 - Autumn 2012
Teotihuacan: City of Water, City of Fire Tribal 85 - Autumn 2017
Lines on the Horizon Tribal 72 - Summer 2014
The Ancient American Installation in Saint Louis Tribal 69 - Autumn 2013
Robert and Nancy Ingram Nooter: Collectors of Beauty and Grace Tribal 14 - Summer 1997
Kalingchok, the festival of the Jhankris Tribal 32 - Autumn 2003
Bilad al Soudan: In Remote Africa - Jean-Baptiste Sevette Tribal 30 - Spring 2003
Replica or Reference: A Reassessment of Pende “Ikhoko” Tribal 31 - Summer 2003
Samir Borro: A Lifelong Quest Tribal 106 - Winter 2022
Back Again: A Bembe Figure with an unusual Journey Tribal 99 - Spring 2021
The Congregation of the Holy Ghost in Africa between the 18th and 20th Centuries : Catholic Missions, Ethnology, and African Art Tribal 85 - Autumn 2017
An Introduction to Oceanic Fish Hooks Tribal 7 - Autumn 1995
Pounders of the Pacific Islands Tribal 11 - Autumn-Winter 1996
Life Objects: Rites of Passage in African Art Tribal 53 - Autumn 2009
As I Descended Impassive Rivers... Tribal 102 - Winter 2021
Hallucinatory Stones of the Amazon Tribal 93 - Autumn 2019
Adivasi Art, or Tribal Art of India: An Art in search of History Tribal 55 - Spring 2010
New Galleries for the Himalayas and Tibet at the Musée de la Castre in Cannes Tribal 55 - Spring 2010
Gontran de Poncins: a passion for the Inuit Tribal 38 - Summer 2005
African Art at the University of Iowa Museum of Art. New Permanent Galleries Tribal 29 - Winter 2002
African Form & Imagery. Detroit Collects A Celebration of Twenty Years: Tribal 11 - Autumn-Winter 1996
Land of the Fali : An Ethnologist from Charente in Northern Cameroon Tribal 65 - Autumn 2012
Spain's well-kept secret . Northwest Coast Art in the Museo de América Tribal 21 - Summer-Autumn 1999
Emile Chambon: The Painter / Collector of Carouge Tribal 41 - Summer 2006
African Pipes Tribal 18 - Summer 1998
Abelam Masks: New Perspectives Tribal 96 - Summer 2020
Rock Art: Land, Petroglyphs, and Place Tribal 102 - Winter 2021
An Ivory Ifa Divination Tapper from Owo Tribal 59 - Spring 2011
Slingshots of Guatemala : Images of dreams Tribal 33 - Winter 2003
Opening of the Weltmuseum in Vienna : A City Revisits Its Relationship with the World Tribal 86 - Winter 2017
Indigenous Australia : Enduring Civilization Tribal 76 - Summer 2015
Katsina in Hopi Life Tribal 67 - Spring 2013
Spotlight on Santa Fe Tribal 41 - Summer 2006
Treasures of Ancient Mexico in Brussels Tribal 36 - Autumn-Winter 2004
Bari Sculpture of South Sudan Tribal 106 - Winter 2022
From Marae to Museum Taroa’s Last 204 Years Tribal 103 - Spring 2022
Temeharo Tribal 78 - Winter 2015
Missionaries and Idols in Polynesia Tribal 77 - Autumn 2015
A sacred painting? John Webber's Portrait of Cook in Tahiti Tribal 64 - Summer 2012
Naga Adornment : Ornament as Language Tribal 36 - Autumn-Winter 2004
Art of Christian Ethiopia Tribal 47 - Winter 2007
"They're not spears…" Arrows of Melanesia a neglected art form Tribal 23 - Eté 2000
A New World: England’s First View of America Tribal 44 - Spring 2007
Warren M. Robbins and the Founding of the National Museum of African Art Tribal 51 - Spring 2009
Frank Hurley: Journeys into Papua Tribal 64 - Summer 2012
A Curator in the Jungle: Staging the exhibition objets blessés. La répartition en Afrique at the Musée du quai Branly Tribal 45 - Summer 2007
Revealing the African Presence in Renaissance Europe Tribal 66 - Winter 2012
Balance and Opposition in Ancient Peruvian Textiles Tribal 89 - Autumn 2018
The Lerman Collection of Art from the Congo at the Etnografski Muzej, Zagreb Tribal 101 - Autumn 2021
Chef S. O. Alonge : Photographer to the Royal Court of Benin, Nigeria Tribal 73 - Autumn 2014
Africa ReViewed : The photographic Legacy of Eliot Elisofon Tribal 71 - Spring 2014
Arctic abstractions Tribal 16 - Winter 1997
Carl Wilhelm Öberg: A South Seas King Rediscovered Tribal 92 - Summer 2019
Carl Kjersmeier and Sogoni Koun: A Life, a Journey, and a Passion for African Art Tribal 82 - Winter 2016
The Monsunen Expedition : A near-forgotten Danish Adventure Tribal 65 - Autumn 2012
The African Collection of Painter and Sculptor Georg Baselitz in Dusseldorf, Munich, and Chemnitz Tribal 33 - Winter 2003
Classicism in Ancient Mexico. Teotihuacan The Metropolis of the High Plateau Tribal 19 - Autumn-Winter 1998
Who Was Hugo A. Bernatzik? 1897-1953 Tribal 38 - Summer 2005
Ceremonial Art of Nuxalk Tribal 7 - Autumn 1995
The Art of the Palaeo-Eskimo Tribal 20 - Spring 1999
A New Book on the Lunda and Chokwe of Shaba: An hommage to the flemish fathers of the order of friars Minor Tribal 59 - Spring 2011
Tradition & Innovation in the Arts of Rwanda & Burundi Tribal 35 - Summer 2004
African Art from the Han Coray Collection, 1916-1928 Tribal 8 - Winter 1995
Transforming Pig Bones into Objects of Art and Metaphorical Meaning: Nose Ornaments of the Asmat of New Guinea Tribal 92 - Summer 2019
Bone Daggers of New Guinea : An Anatomical Analysis Tribal 83 - Spring 2017
Basket Conservation and Considerations for Treatment Procedures Tribal 4 - December 1994
Ancestors and Descendants Tribal 56 - Summer 2010
Blue Winds Dancing and the New Orleans Museum of Art Tribal 47 - Winter 2007
Protection, Power and Display Tribal 7 - Autumn 1995
He is a research anthropologist and curator in the Smithsonian Institution’s anthropology department. He serves as director of the Smithsonian’s Asian Cultural History Program.
Sharing the Heritage of Dani Art. The Hampton Collection at the Tracing Patterns Foundation Tribal 110 - Winter 2023
Manipa's World Enggano: Sources, Culture and Material Culture (part 2) Tribal 28 - Summer-Autumn 2002
The Use of Surrogate Materials in the Conservation of Pacific Northwest Coast Art Tribal 24 - Autumn-Winter 2000
Repairing a Quileute Flicker Rattle Tribal 1 - March 1994
(Kevin Tervala is associate curator of African art and department head for the arts of Africa, the Americas, Asia, and the Pacific Islands at the Baltimore Museum of Art.)
Oceanic Art at the Baltimore Museum of Art Tribal 104 - Summer 2022
A Perfect Power: Motherhood and African Art Tribal 98 - Winter 2020
Kuba: Fabric of an Empire Tribal 90 - Winter 2018
The Cuming Museum, A Recovering Treasure Tribal 78 - Winter 2015
Georges Meurant : African Collections and Studies Tribal 80 - Summer 2016
2007 ACASA Conference : 14th Triennial Symposium on African Art
Memorial for Heroes Tribal 64 - Summer 2012
Native American Art at the Nelson-Atkins Museum of Art Tribal 93 - Autumn 2019
Charles Ratton, Louis Carré, and the Landmark Auctions of 1931 Tribal 93 - Autumn 2019
Reconsidering American Art: Charles and Valerie Diker Tribal 90 - Winter 2018
Aztec Feather Shields at the Landesmuseum Württemberg Tribal 95 - Spring 2020
In the Beginning There Was Thread. The Inca Dress Code: Textiles and Adornment in Pre-Columbian America Tribal 90 - Winter 2018
The Art Institute of Chicago: New Galleries for African Art and Indian Art of the Americas Tribal 62 - Winter 2011
Peru before the Incas : The Musée du quai Branly Tribal 86 - Winter 2017
Ritual fabric of the ban Dayak Tribal 29 - Winter 2002
Central African Headdresses from the Collection of the MRAC : Tervuren Tribal 44 - Spring 2007
Joel Picia’s Malangan Tribal 72 - Summer 2014
Zombo Sculpture : The Kingdom of Kongo and the Baptist Missionary Society Tribal 72 - Summer 2014
Bisj Poles : Sculptures from the Rainforest Tribal 47 - Winter 2007
New Guinea: Ritual Traditions.The Oceanic Installation at the Tropenmuseum Tribal 45 - Summer 2007
An Oceanic Mask? Tribal 38 - Summer 2005
An Old Korwar From New Guinea in Amsterdam’s Tropenmuseum Tribal 34 - Spring 2004
An African Initiative at the Philadelphia Museum of Art Tribal 81 - Autumn 2016
Chance Encounters: The Menil collection Tribal 41 - Summer 2006
Masks of the We of Western Côte d’Ivoire Tribal 37 - Spring 2005
Leopold III of Belgium Among the Indians of Central Brazil Tribal 62 - Winter 2011
The Romantic Illusion and the Misunderstanding of a "Discovery". Giacomo Costantino Beltrami at the source of the Mississipi Tribal 31 - Summer 2003
The Eugene and Clare Thaw Collection of American Indian Art Tribal 8 - Winter 1995
Three Silver Cimpaaba: Afro-European Exchanges on the Kongo Coast in the 18th and 19th Centuries Tribal 101 - Autumn 2021
The Taste of the Earth : The Ceramic Collection of the MRAC Tribal 80 - Summer 2016
What a Mask Can Say : Iconographic Reflections on a Masterpiece in the MRAC Tribal 71 - Spring 2014
The Concave and the Convex : Ivory Spoons of the Northeastern Congo Tribal 70 - Winter 2013
Of Sculptures and Skulls : The Émile Storms Collection Tribal 66 - Winter 2012
Exquisite Vanity : Nkundu Sarcophagi Tribal 61 - Autumn 2011
An Approach to Nande Isumba Figures Tribal 56 - Summer 2010
Pomdo and Nomoli : The Jean Houseau de Lehaie archives Tribal 41 - Summer 2006
She is an independent researcher and curator specializing in the arts of the Cameroon Grasslands.
Fifty Years after the Return of the Afo-A-Kom: A Retrospective Tribal 110 - Winter 2023
Emanations from the Musée de Trocadéro: African Art in a Global Context Tribal 105 - Autumn 2022
The Bangwa Queen. A journey into Art History Tribal 94 - Winter 2019
Photographs from French Guinea and Cameroon by Rudolf and or Helene Oldenburg Tribal 90 - Winter 2018
On the Bangwa Collection Formed by Gustav Conrau Tribal 86 - Winter 2017
From Fontem to Berlin: The Long Journey of a Bangwa Lefem Staff Tribal 76 - Summer 2015
A Grasslands Beaded Leopard Skin Tribal 72 - Summer 2014
Chance Encounter : Kwayep of Bamana Tribal 70 - Winter 2013
Western Solomon Islands Shell-Inlaid Shields Tribal 44 - Spring 2007
Toto Isu (NguzuNguzu): War Canoe Prow Figureheads from the Western District, Solomon Islands Tribal 20 - Spring 1999
Brightest Africa at the Dallas Museum of Art Tribal 79 - Spring 2016
Musée de la Castre, A Museum Reborn Tribal 34 - Spring 2004
Objects of Power. Shamanic Art of the Northwest Coast Tribal 25 - Spring 2001
Art of the Ipiutak Tribal 4 - December 1994
Musée d'ethnographie de Genève. Archives of Creativity, Archives of Human Diversity Tribal 73 - Autumn 2014
James Edward Little: Dealer, Faker, Inept Thief Tribal 28 - Summer-Autumn 2002
From Sacred to Souvenir The squatting figure as a motif in Micronesian art Tribal 28 - Summer-Autumn 2002
“Gets Curious Relic“ Tribal 101 - Autumn 2021
Kathleen Haddon: A Woman with a Camera Tribal 107 - Spring 2023
Ancestors of the Lake: Art of Lake Sentani and Humboldt Bay Tribal 60 - Summer 2011
Art Styles of the Papuan Gulf : February 15-May 5, 1961 Tribal 43 - Winter 2006
Ensembles of Spirits : Art in Photographs of the Papuan Gulf Tribal 43 - Winter 2006
Paul Gebauer : A Legacy of Images Tribal 41 - Summer 2006
Modern Times. Early Tribal Art exhibitions at the Museum of Modern Art in New York 1935-1946 Tribal 5 - Spring 1995
Re-Collecting Father Viegen’s Asmat Objects Tribal 73 - Autumn 2014
The Korwar Collection of Henry Blekkink Tribal 63 - Spring 2012
Celebrating Maria Stein-Lessing and Leopold Spiegel and the Spiegel Stein-Lessing Collection Tribal 58 - Winter 2010
The Pitt Rivers Museum Revisited Tribal 56 - Summer 2010
A collection within a collection: Henry Christy’s Ancient Mexican Treasures at the British Museum Tribal 52 - Summer 2009
Art and Expatriates in Liberia Tribal 55 - Spring 2010
Coaxing the Spirits to Dance : Art of the Papuan Gulf of New Guinea Tribal 43 - Winter 2006
Australia : The Land, the People Tribal 39 - Autumn-Winter 2005
Dogon, Myth & Reality in Mali Tribal 37 - Spring 2005
The Hall of Melanesia at the Otago Museum in Dunedin Tribal 46 - Autumn 2007
Keris Invincible : Sword Handles from Indonesia Tribal 39 - Autumn-Winter 2005
Stories in Ivory : Art of Loango Tribal 74 - Winter 2014
Fit for a King : The Early Princely Collections of Post-Conquest Mexico Tribal 62 - Winter 2011
Distinguished: Art & Women Artists of the Inventory Tribal 101 - Autumn 2021
The Art of Ife Tribal 36 - Autumn-Winter 2004
The Spirit of Ancient Peru Tribal 14 - Summer 1997
The Richard Faletti Family Collection Tribal 15 - Autumn 1997
Plumes and Pearlshells : Art of the New Guinea Highlands Tribal 72 - Summer 2014
A Sea of Islands: Masterpieces of Oceania Tribal 99 - Spring 2021
The Kwakwaka’wakw Transformation Mask That Inspired the Seahawks Logo Tribal 75 - Spring 2015
The Benin Plaques: A Singular Monument Tribal 88 - Summer 2018
Lei Niho Palaoa : Royal Necklaces of Hawaii Tribal 36 - Autumn-Winter 2004
The Florence National Museum of Anthropology and Ethnology and its ethnographic collections Tribal 27 - Winter 2001 - Spring 2002
Developing an Overview: Karl-Ferdinand Schädler Tribal 99 - Spring 2021
The Lerman Collection of Art from the Congo at the Etnografski Muzej, Zagreb Tribal 101 - Autumn 2021
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